Edinburgh: Corstorphine Old Parish Church of Scotland, Nave (South)
Jesus Christ bearing the Cross
Window of two lancet lights.
This window depicts Jesus Christ bearing the cross with the Virgin Mary and James following mournfully behind.
Dedication:
‘In memory of John Marmillan and Jessie Chrystal Finlayson, his wife, dedicated by their family 1905’.
Firm/Company:
Alexander Ballantine and Son
BALLANTINE: James Ballantine and Son: (James: 1808-1877, Alexander: 1841-1906, James: 1878-1940) The founder James, was born in Edinburgh. He was apprenticed to a house-painter as a young man and had few advantages in the way of education. He later campaigned for the education of apprentices beyond the craft/trade they were learning. He also mixed paints as a young man for David Roberts, a scenic artist at the Theatre Royal. He continued by apprenticing in Stained Glass and established his own business (with a partner) in 1837. James was out spoken in leading the Stained Glass design aesthetic in Scotland and was incredibly prolific. His son Alexander took over the firm in 1877, he then trained his son James, who took over the firm in 1906.
BALLANTINE AND GARDINER: Ballantine and Gardiner- (Partnership: 1892-1905) This was a successful partnership between Alexander Ballantine (1841-1906) (son of James Ballantine) and Herbert Gardiner ( - ) of Leicester. They were incredibly prolific for their short partnership together.
Details
Related Records: | |
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Who: |
Alexander Ballantine and Son (Firm/Company) |
What: | |
Where: |
Kirk Loan, Edinburgh, EH12 7ST |
When: |
1905 (installed) Jul-12 (photograph taken) |
Resource Rights Holder: | Scottish Stained Glass Trust and Symposium |
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Record ID: | 000-000-774-026-C |
Project: | |
Project Ref: | |
Material: |
Glass, Lead, Paint, Stain |
Dimensions: |
Approx 2 x 1´5 m |
Subject/Keywords: |
Jesus Christ, cross, bearing, Virgin Mary, James, Roman, centurian, landscape, mournful, girl |
Event: |
John Marmillan and Jessie Chrystal Finlayson by their family (In memory) |
Description: | |
Photographer: | Elisa Conesa Martinez |
References: |